Showing posts with label Bruno Latour. Show all posts
Showing posts with label Bruno Latour. Show all posts

Thursday, 21 May 2009

Translation Deficits

Joost van Loon examines the 'translation deficit' between Actor Network Theory and Science and Technology Studies.

Although Actor Network Theory (ANT) is now a well-established, albeit often misunderstood, domain within the social sciences, it has not travelled very well beyond Science and Technology Studies (STS). Using a phrase from Latour himself, one could argue that ANT suffers from a 'translation deficit' when it comes to social science research beyond STS. It is not very interesting to dwell too long on the reasons for this translation deficit but it helps to distinguish three possible factors:

  1. The radical nature of the philosophical roots of Latour’s ANT which are an unusual mixture of William James’ radical empiricism, A.N. Whitehead’s philosophy of organism and Friedrich Nietzsche’s accomplished nihilism (or relativism as Latour prefers to call it).
  2. The fundamentally empirical nature of ANT-analyses, which forces one to do ANT rather than talk about it.
  3. A reluctance of social theorists, in particular, to separate critique from prejudice and thereby to start taking actors and action seriously. That is to say, when attempts are being made to ‘export’ ANT-analyses across boundaries, there are significant numbers of gatekeepers blocking the passageways like security guards at airports.

As Latour himself has insisted over and over again, Actor Network Theory is deceptive and therefore perhaps not a very good phrase to describe what is done under that heading. It has led to the suggestion that it is merely a theoretical position that aims to describe networks of actors and in that way it has been interpreted as another version of network theory along the lines of, for example, Ohmae and Castells. In order to avoid such confusion, Latour has toyed with a number of phrases that better describe what ANT might be, such as ‘sociology of translation’ and more recently, ‘sociology of associations’ (Latour, 2005). I prefer Annemarie Mol’s label: ‘empirical philosophy’.

Friday, 24 April 2009

Actor Network Theory and Cultural Studies

Joost van Loon introduces us to some key issues from Latour to mark the introduction of a new reading group at NTU.

Bruno Latour’s Reassembling the Social has been given quite considerable attention across the social sciences. It is a provocative and somewhat controversial book that has a tendency to polarize opinions (see for example contrasting book reviews on the Space and Culture blog.) Apart from controversies, the book has also lent itself to considerable misinterpretation, which, sadly, reflects a longer history within social sciences as failing to properly engage with empirical philosophy.


Whereas ANT has at least been subject to debate within social sciences, it is largely left untouched within media and cultural studies. It is for this reason that we must seek to open up debate around what its underlying empirical philosophy might mean for the ways in which media and cultural studies analyze the world. And this should not be taken as another excursion into methodological debates around ethnography. Instead, it goes at the hart of the implicit philosophical grounding of this subject area. Can it afford to abandon the Cartesian split between res extensa and res cogitans? Can it afford to question the Hegelian optimism that knowledge will engender emancipation? Can it afford to abandon Kant’s sacred vowels that still serve as the principles for a critique of reason, ethics and aesthetics?

The Institute for Cultural Analysis at Nottingham Trent University will host a short series of sessions based on a collective reading of Reassembling the Social which hopefully lead to a fruitful debate about the pros and cons of a different, radically empirical, philosophy, that has its roots in a metaphysics that takes a different turn from the one that has dominated modern thought for the last 300 years.